"With a title derived literally from the explorations of the French in the Pacific and metaphorically from classroom encounters with another culture - both of which form important subsections to the volume - Explorations and Encounters in French actively seeks to unite those fields of enquiry sometimes seen as separate, namely, culture and language. The essays selected for inclusion in Explorations and Encounters in French bring together many of the current research strands in French Studies today, tapping into current pedagogical trends, analysing contemporary events in France, examining the Franco-Australian past, while reviewing teaching practice and the culture of teaching. Collectively, the essays reflect the common engagement with language, culture and society that characterizes the community of French teachers and scholars in Australia and abroad."--University of Adelaide Press webpage.
Includes Les Livres du mois formerly published separately.
" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.
Author: François Gros, Ramón Gómez de la Serna, Université de Paris VII.
Publisher: Odile Jacob
" Il y a des seins pleins de calme. Il y a des seins pleins de douleur. Il y a des seins pleins de passion. Il y a des seins pleins de divorce. Il y a des seins pleins de calamités. Il y a des seins pleins de poison. Il y a des seins pleins d'énervement. Il y a des seins pleins de larmes. Il y a des seins pleins de nuit. Il y a des seins pleins de surprises. Il y a des seins pleins de charité. Il y a des seins pleins d'adultère. Il y a des seins pleins d'or amassé. " Catalogue irraisonné, variation infinie sur le même objet, le livre des seins est un inventaire fou, baroque, parsemé de métaphores délirantes, le livre d'un adorateur, que Ramon Gomez de la Serna écrivit, de son propre aveu, " à là va comme je te presse, jonglant ludiquement avec les brefs ivoires des seins, jouant du style, les modelant du verbe et de l'imagination comme en leur propre céramique idéale ".
The Lenovo Way to Profitability and Growth In 2005, the Chinese corporation Lenovo acquired what was seen as a sacred American icon--IBM's personal computer business. It has since grown to become the world’s biggest PC company and is now rapidly growing in the global mobile space. The Lenovo Way reveals practical methods for managing a truly diverse workforce operating around the world, drawn from both China and the United States. Gina Qiao is Senior Vice President of HR at Lenovo. Yolanda Conyers is Vice President of HR Operations and Chief Diversity Officer at Lenovo.
A History of Reading in the West
Author: Guglielmo Cavallo, Roger Chartier, Lydia G. Cochrane
Publisher: Univ of Massachusetts Press
Books and other texts have not always been read in the way that we read them today. The modern practice of reading--privately, silently, with the eyes alone--is only one way of reading, which for many centuries existed alongside other forms. In the ancient world, in the Middle Ages, and as late as the seventeenth century, many texts were written for the voice. They were addressed to the ear as much as the eye, and they used forms that were oriented toward the demands of oral performance. This is one of the themes explored in this landmark volume. Written by a distinguished group of international contributors, it analyzes the transformations of reading methods and materials over the ages, showing that revolutions of reading have generally preceded revolutions of the book. The authors examine not only the technical innovations that changed physical aspects of books and other texts, but also the evolving forms of reading and the growth and transformation of the reading public. The volume will be invaluable to students of cultural history and to all those who want a fresh perspective on the history of books and their uses.
Masterpieces of History
Author: Svetlana Savranskaya, Thomas S. Blanton, Vladislav Martinovich Zubok
Publisher: Central European University Press
"With some irony, the way the USSR separated itself from its empire and its own peaceful end may seem to be its most beneficial contributions to history. These episodes are, in any case, masterpieces of history."-Jacques Levesque, The Enigma of 1989 "When, where, why did the Cold War end? How did it manage to end peacefully? The answers are in this wonderful collection of crucial historical documents, penetrating essays by experts, plus the record of a revealing symposium including former Soviet and American officials. An invaluable source book on the end of the 20th century."-William C. Taubman, Amherst College, Pulitzer Prize-winning author of Khrushchevò The Man and His Era "Evocative, illuminating, insightful: This volume is a brilliant collection of documents, conversations, and essays. It is absolutely indispensable for understanding the end of the Cold War."-Melvyn Leffler, University of Virginia, G.L. Beer Prize-winning author of For the Soul of Mankind "The National Security Archive ... deserves the highest praise for its dedication to work and truth, and for overcoming numerous obstacles created by bureaucrats and other excessively cowardly and greedy custodians of the truth about the past." (From the Foreword)-Anatoly S. Chernyaev, adviser to Mikhail Gorbachev, author of My Six Years with Gorbachev "The conference held at ... Musgrove [included in this volume]...illuminated one of the most important periods in 20th century history ... The National Security Archive [has] rendered a service to historians and the public as a whole." (From the Foreword)-Jack F. Matlock Jr., Former U.S. Ambassador, author of Autopsy on an Empire About The Editors Svetlana Savranskaya is Director of Russia/Eurasia Programs at the National Security Archive. Thomas Blanton is Executive Director of the National Security Archive. Vladislav Zubok is Professor of history at Temple University. Twenty years in the making, this collection presents 122 top-level Soviet, European and American records on the superpowers role in the annus mitabilis of 1989. Consisting of Politburo minutes; diary entries from Gorbachev s senior aide, Anatoly Chernyaev; meeting notes and private communications of Gorbachev with George H.W. Bush, Margaret Thatcher, Helmut Kohl and Francois Mitterrand; and high-level CIA analyses, this volume offers a rare insider's look at the historic, world-transforming events that culminated in the collapse of communism in Eastern Europe and the end of the Cold War. Most of these records have never been published before. Complementing the documents are the proceedings of an extraordinary face-to-face mutual interrogation of Russian and American former senior officials from 1998. Anchored by scholars and documents, the meeting - featuring Gorbachev advisers Anatoly Chernyaev and Georgy Shakhriazarov, Shevardnadze aide Sergei Tarasenko, U.S.Ambassador Jack Matlock and CIA chief Soviet analyst Douglas MacEachin ùproduced fascinating insights into superpower policy-making during the miraculous year of 1989.
The Coming of the Book
Author: Lucien Febvre, Henri-Jean Martin
Books, and the printed word more generally, are aspects of modern life that are all too often taken for granted. Yet the emergence of the book was a process of immense historical importance and heralded the dawning of the epoch of modernity. In this much praised history of that process, Lucien Febvre and Henri-Jean Martin mesh together economic and technological history, sociology and anthropology, as well as the study of modes of consciousness, to root the development of the printed word in the changing social relations and ideological struggles of Western Europe.
CONTRIBUTIONS TO THE SOCIOLOGY OF LANGUAGE brings to students, researchers and practitioners in all of the social and language-related sciences carefully selected book-length publications dealing with sociolinguistic theory, methods, findings and applications. It approaches the study of language in society in its broadest sense, as a truly international and interdisciplinary field in which various approaches, theoretical and empirical, supplement and complement each other. The series invites the attention of linguists, language teachers of all interests, sociologists, political scientists, anthropologists, historians etc. to the development of the sociology of language.
Author: Jean Echenoz
Publisher: New Press, The
Winner of France’s prestigious Prix Goncourt and a runaway bestseller, Jean Echenoz’s I’m Gone is the ideal introduction to the sly wit, unique voice, and colorful imagination of “the master magician of the contemporary French novel” (The Washington Post). Nothing less than a heist caper, an Arctic adventure story, a biting satire of the art world, and a meditation on love and lust and middle age all rolled into one fast-paced, unpredictable, and deliriously entertaining novel, I’m Gone tells the story of an urbane art and antiques dealer who abandons his wife and career to pursue a memorably pathetic international crime spree. “Crisp and erudite” (The Wall Street Journal), “seductive and delicately ironic” (The Economist), and with an unexpected sting in its tail, I’m Gone—translated by Mark Polizzotti—is a dazzling, postmodern subversion of narrative conventions and an amused look at the absurdities of modern life. With a wink and a nod and a keen eye for the droll detail, Echenoz invites the reader “to enjoy I’m Gone in the same devil-may-care spirit in which it is offered” (The Boston Sunday Globe).
In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions.
Author: Steve Hare
Publisher: Penguin Uk
Books in the Digital Age
Author: John B. Thompson
Publisher: John Wiley & Sons
The book publishing industry is going through a period of profound and turbulent change brought about in part by the digital revolution. What is the role of the book in an age preoccupied with computers and the internet? How has the book publishing industry been transformed by the economic and technological upheavals of recent years, and how is it likely to change in the future? This is the first major study of the book publishing industry in Britain and the United States for more than two decades. Thompson focuses on academic and higher education publishing and analyses the evolution of these sectors from 1980 to the present. He shows that each sector is characterized by its own distinctive ‘logic’ or dynamic of change, and that by reconstructing this logic we can understand the problems, challenges and opportunities faced by publishing firms today. He also shows that the digital revolution has had, and continues to have, a profound impact on the book publishing business, although the real impact of this revolution has little to do with the ebook scenarios imagined by many commentators. Books in the Digital Age will become a standard work on the publishing industry at the beginning of the 21st century. It will be of great interest to students taking courses in the sociology of culture, media and cultural studies, and publishing. It will also be of great value to professionals in the publishing industry, educators and policy makers, and to anyone interested in books and their future.