Breve Storia Del Divismo Cinematografico Elementi Book PDF, EPUB Download & Read Online Free

Breve storia del divismo cinematografico

Breve storia del divismo cinematografico

Author: Cristina Jandelli
Publisher: Marsilio Editori
ISBN: 883173170X
Pages: 208
Year: 2011-02-24T00:00:00+01:00
Dalla nascita dell’attore cinematografico alla politica delle star del cinema contemporaneo, il primo testo dedicato alla storia del divismo. Perché un attore diventa un divo? Quali sono i meccanismi di empatia con lo spettatore e come si prolungano fuori dallo schermo? Tra notizie biografiche di grandi star e analisi sui modelli, sulle forme di comunicazione e i processi mediatici il libro ci guida nel mondo complesso dei fenomeni divistici legati al cinema. Dagli anni in cui Marlene Dietrich o Rodolfo Valentino, Marlon Brando o Marilyn Monroe erano oggetto di venerazione collettiva, fino al cowboy di Hollywood presidente degli Stati Uniti e al terminator governatore della California, il ruolo e la presenza dei divi nella nostra cultura oggi risultano più considerevoli che mai.
Italian Movie Goddesses

Italian Movie Goddesses

Author: Stefano Masi, Enrico Lancia
Publisher: Gremese Editore
ISBN: 8873010717
Pages: 226
Year: 1997
The careers, films and best photos of 80 Italian divas.
L'attore in primo piano

L'attore in primo piano

Author: Cristina Jandelli
Publisher: Marsilio Editori spa
ISBN: 8831730215
Pages: 192
Year: 2016-11-21T00:00:00+01:00
Oggi gli attori cinematografici recitano, siamo in grado di riconoscere diversi stili nelle performance dei protagonisti dei film che amiamo, ma non è sempre stato così. Quando il cinema era appena nato iniziò a prosperare grazie ad attori e attrici ma senza che loro potessero parlare. All’epoca, quando la recitazione era appannaggio dei soli interpreti teatrali, non aveva alcun senso immaginare un gesto artistico nel lavoro di scritturati che si limitavano a posare: infatti si parlava al massimo di esibizione e i personaggi cinematografici cominciavano appena a comparire. Il libro vuole spiegare due cose: come sia avvenuto il passaggio dalla casualità con cui i primi volti del cinema, posti davanti alla macchina da presa, hanno emozionato generazioni di spettatori e la nascita di una nuova professione artistica. Gli attori, affacciati dal grande schermo, hanno raccontato personaggi chiave delle nostre vite e lo hanno fatto recitando. Come bambini diventati adulti, prima li abbiamo amati, poi compresi. Il presente volume tenta di mostrare come e perché.
I protagonisti

I protagonisti

Author: Cristina Jandelli
Publisher: Marsilio Editori
ISBN: 8831736302
Pages: 176
Year: 2013-11-26T00:00:00+01:00
Come recitano i protagonisti del cinema contemporaneo, quali figure incarnano attori e divi incaricati di rappresentare la crisi del personaggio di finzione nel complesso scenario attuale? Mentre la tecnologia digitale riconfigura fisionomie e prestazioni, indagare il contributo degli interpreti appare particolarmente necessario. La riflessione complessiva muove dall'analisi della recitazione dei protagonisti di una ventina di film recenti europei e americani. Il loro stile di recitazione emerge dalla lettura di singole interpretazioni che inevitabilmente rimandano ad altre, intrecciando percorsi in grado di evidenziare il valore artistico del lavoro attoriale per lo più occultato dalle storie del cinema, dal sistema produttivo e dai circuiti della comunicazione. Osservare la recitazione dei protagonisti aiuta a comprendere l'indispensabile funzione dell'attore nel film di finzione: valutandone l'espressività ed esplorandone il corpo, luogo di tutte le tensioni che attraversano il suo statuto nella contemporaneità, emerge la performance. Volti, gesti, espressioni e voci danno vita a personaggi sempre più dissociati e multiformi, inevitabilmente legati alla condizione esistenziale delle donne e degli uomini del nostro tempo.
The Star System

The Star System

Author: Paul McDonald
Publisher: Columbia University Press
ISBN: 0231503245
Pages: 144
Year: 2001-06-13
Looks at the development and changing organization of the star system in the American film industry. Tracing the popularity of star performers from the early "cinema of attractions" to the Internet universe, Paul McDonald explores the ways in which Hollywood has made and sold its stars. Through focusing on particular historical periods, case studies of Mary Pickford, Bette Davis, James Cagney, Julia Roberts, Tom Cruise, and Will Smith illustrate the key conditions influencing the star system in silent cinema, the studio era and the New Hollywood.
Suicide Hill

Suicide Hill

Author: James Ellroy
Publisher: Open Road Media
ISBN: 1453227989
Pages: 280
Year: 2011-08-30
Forced off the L.A. murder squad, Detective Hopkins goes to work for the FBI on an assignment with deadly consequences Lloyd Hopkins is breaking down. Once the sharpest detective in Los Angeles homicide, the strain of nearly two decades steeped in death has begun to take its toll. His confidence is shot, his self-discipline gone, and he has become prone to fits of uncontrollable sobbing. As his marriage collapses, he forgets how to keep himself disengaged from a case. His habits of sleeping with witnesses, faking evidence, and taking the law into his own hands has disgraced the LAPD, and now Hopkins’s superiors are attempting to force him into early retirement. When he refuses, the department puts him out to pasture with a position as a liaison with the FBI bank robbery unit. The post is meant to be low-stress and murder-free, but where Lloyd Hopkins goes, blood always follows . . .
breve storia del cinema per le scuole superiori

breve storia del cinema per le scuole superiori

Author: Filomena Iavarone
Publisher: Filomena Iavarone
ISBN: 8892583069
Pages:
Year: 2016-03-26
Un breve compendio di storia del cinema per i ragazzi delle scuole superiori. Questo libro vuole essere solo una linea guida degli argomenti principali della storia del cinema. In appendice vari approfondimenti più specifici.
Marlene Dietrich

Marlene Dietrich

Author: Sheridan Morley
Publisher: McGraw-Hill Companies
ISBN:
Pages: 128
Year: 1977-01-01

Diva

Diva

Author: Angela Dalle Vacche
Publisher: University of Texas Press
ISBN: 0292717113
Pages: 310
Year: 2008-03-15
"Animated by a luminous goddess at its center, the diva film provided a forum for denouncing social evils and exploring new models of behavior among the sexes...Dalle Vacche offers the first authoritative study of this important film genre of the cinema that preceded the First World War...Contrasting the Italian diva with the Hollywood vamp Theda Bara and the famous Danish star Asta Nielsen, Dalle Vacche shows how the diva oscillates between articulating Henri Bergson's vibrant life-force and representing the suffering figure of the Catholic mater dolorosa." -- Cover.
Tra le quinte del cinematografo

Tra le quinte del cinematografo

Author: Massimo Cardillo
Publisher: EDIZIONI DEDALO
ISBN: 882204522X
Pages: 216
Year: 1987

Film Technique and Film Acting - The Cinema Writings of V.I. Pudovkin

Film Technique and Film Acting - The Cinema Writings of V.I. Pudovkin

Author: V. I. Pudovkin
Publisher: Sims Press
ISBN: 1443721395
Pages: 384
Year: 2008-11
FILM TECHNIQUE AND FILM ACTING- The Cinema Writings of V. I. PUDOVKIN. Contents include: CONTENTS FILM TECHNIQUE A separate table of contents for FILM ACTING appears at the beginning of that volume. INTRODUCTION BY LEWIS JACOBS iii INTRODUCTION TO THE GERMAN EDITION . . xiii I. THE FILM SCENARIO AND ITS THEORY FOREWORD 1 PART I. THE SCENARIO .... 3 The meaning of the shooting-script The construction of the scenarioThe theme The action-treatment of the theme Conclusion. PART H. THE PLASTIC MATERIAL . . 26 The simplest specific methods of shooting-Method of treatment of the material struc tural-editing Editing of the scene Editing of the sequence Editing of the Scenario-Editing as an instrument of impression rela tional editing. II. FILM DIRECTOR AND FILM MATERIAL PART I. THE PECULIARITIES OF FILM MATERIAL 51 The film and the theatre The methods of the film Film and reality Filmic space and time The material of films Analysis Editing the logic of filmic analysis The necessity to interfere with movement Organisation of the material to be shot Arranging setups The organisation of chance material Filmic form The technique of directorial work. PART II. THE DIRECTOR AND THE SCENARIO 93 The director and the scenarist The environ ment of the film-The characters in the environment The establishment of the rhythm of the film. PABT III. THE DIRECTOR AND THE ACTOR 105 Two kinds of production The film actor and the film type Planning the acting of the film type The ensemble Expressive movement-Expressive objects The director as creator of the ensemble. PART IV. THE ACTOR IN THE FRAME . 118 The actor and the filmic image The actor and light. PART V. THE DIRECTOR AND THE CAMERA MAN 120 The cameraman and the camera The camera and its viewpoint The shooting of movement The camera compels the spectator to see as the director wishes The shaping of the com position-The laboratory-Collectivism the basis of film-work. III. TYPES INSTEAD OF ACTORS . 137 IV. CLOSE-UPS IN TIME 146 V. ASYNCHRONISM AS A PRINCIPLE OF SOUND FILM 155 VL RHYTHMIC PROBLEMS IN MY FIRST SOUND FILM 166 VII. NOTES AND APPENDICES A. GLOSSARIAL NOTES . 175 B. SPECIAL NOTES 180 C. ICONOGRAPHY OF PUDOVKINs WORKS . 192 D. INDEX OF NAMES .... 196 The numerals in the text refer to Appendix B. INTRODUCTION: THERE are few experiences more important in the education of a newcomer to motion pic tures than the discovery of V. I. Pudovkins Film Technique and Film Acting. No more valuable manuals of the practice and theory of film making have been written than these two handbooks by the notable Soviet director. So sound are their points of view, so valid their tenets, so revelatory their analyses, that they remain today, twenty years after their initial appear ance, the foremost books of their kind. First published abroad in 1929 and 1933 respectively, Film Technique and Film Acting brought to the art of film making a code of principles and a rationale that marked the mediums analytic coming of age. Until their publication, the motion picture maker had to eke out on his own any intellectual or artistic considera tions of film craft. No explicit body of principles existed upon which the film maker could draw with confidence. Film technique was a more or less hit or miss affair that existed in a kind of fragmentary state which, in the main, leaned heavily upon theatrical methods. These pioneering books made clear at once that movie making need no longer flounder for a methodology or for its own standards. ...
The Rise and Fall of Free Speech in America

The Rise and Fall of Free Speech in America

Author: David Wark Griffith
Publisher:
ISBN:
Pages: 59
Year: 1916

Political Audiences

Political Audiences

Author: Damiano Garofalo
Publisher: Mimesis
ISBN: 8869770141
Pages: 158
Year: 2016
This book deals with the popular reception of early Italian television, during the years of the so-called “lungo miracolo” (1954-1969). To do so, the author focuses on the Catholic and Communist audiences' perception of the first TV programs.
Gone with the Wind

Gone with the Wind

Author: Margaret Mitchell, Pat Conroy
Publisher: Simon and Schuster
ISBN: 1416548947
Pages: 1472
Year: 2008-05-20
The turbulent romance of Scarlett O'Hara and Rhett Butler is shaped by the ravages of the Civil War and Reconstruction.
Storia del cinema

Storia del cinema

Author: Gianni Rondolino
Publisher:
ISBN:
Pages: 831
Year: 2000